Monday, January 18, 2016
Orchestrations: Edward B. Powell, Leonid Raab – Film Score Monthly vol. 4, no. 4, Total Tracks: 65.43, 23 tracks (stereo) ***** (Absolute Tops)
The film, hyped as “Africolossal!” in the never-understated studio ad campaign, stars Fox stalwarts Tyrone Power, Susan Hayward, and ‘50s discovery Richard Egan, and deals with the Dutch colonization of South Africa and its ensuing, inevitable conflicts with the region’s Zulu natives.
The main theme and an ensuing traveling motif (introduced in track 7, “Vorwarts”) are then inventively developed in an on-going series of epic symphonic cues over the course of the one-hour-plus score. The beautiful love theme is held in reserve until the cue “Paul Finds Katje/Hoffen Valley” with its ecstatic climax at about 3.20 on track 11. Another (very) brief haunting, almost Wagnerian statement of the main theme for massed French horns with distant trumpets and tremolo strings can be heard at about 1.25 in the lengthy (7.04) “O’Neill’s Garden/Cape Town Street” cue. (The moody Main Title in horn solo is heard again at the conclusion of another extended cue, “After the Fight/By the River”). In a livelier mode track 10, “The Commandos,” suggests Waxman’s thrilling Cossacks music for Taras Bulba (1962).
Several source music cues vary the underscoring, these including a short polka by Johann Strauss, Sr., and “Zulu Attack,” the latter composed of “wild” percussion tracks supervised by Waxman. If you stay tuned after the “Finale” (track 23) you get some first-hand insights into the recording of these primal sounds. A 14-page booklet of interesting notes by Jeff Bond and Jonathan Z. Kaplan are included and feature comments about the prolific composer’s creative methods and the Fox music department in general from John Waxman. Waxman never wrote a score that is less than fascinating and his lesser-known Untamed is an excellent and dramatically epic companion piece to his later and more celebrated Taras Bulba.
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